The Rose Tattoo

A SAMUEL FRENCH, LTD. TITLE

The Rose Tattoo

Full-Length Play, Drama  /  14w, 9m

Winner of the 1951 Tony Award for Best Play. One of the author's most beautiful and powerful plays. Set among a colony of Sicilian fisherfolk on the American Gulf Coast, it is the story of a woman for whom love was stronger than death.

Image: Joan Marcus

  • Cast Size
    Cast Size
    14w, 9m
  • Duration
    Duration
    More than 120 minutes (2 hours)
  • Audience
    Target Audience
    Adult
Accolades
Accolades
  • WINNER! 1951 Tony Award for Best Play

Details

Summary
Serafina delle Rose is a restless widow whose intense and absorbing instinct for love drives everything before it. The figure of this extraordinary woman dominates the small town where she and her friends are living and embodies the exultation and danger of unbridled passion. Her story, and that of the lover she chooses and the daughter she denies, are forged into a play of power, humanity and soaring emotion.
History

The Rose Tattoo premiered at the Erlanger Theater in Chicago, IL in December 1950 under the direction of Daniel Mann.

SALVATORE
VIVI
BRUNO
ASSUNTA
ROSA DELLE ROSE
SERAFINA DELLE ROSE
ESTELLE HOHENGARTEN
THE STREGA
GIUSEPPINA
PEPPINA
VIOLETTA
MARIELLA
TERESA
FATHER DE LEO
A DOCTOR
MISS YORKE
FLORA
BESSIE
JACK HUNTER
THE SALESMAN
ALVARO MANGIACAVALLO
A MAN
ANOTHER MAN
  • Setting A village along the Gulf Coast between New Orleans and Mobile.
  • Duration More than 120 minutes (2 hours)

Media

ON BREAKING CHARACTER

10 Tennessee Williams Plays to Perform
by Cathy Thomas
June 5, 2019

Photos

  • The Rose Tattoo

    Image: Joan Marcus

  • The Rose Tattoo

    Image: Joan Marcus

Licensing & Materials

  • Minimum Fee: £70 per performance plus VAT when applicable.

    Please submit a license request to determine availability.

Scripts

Available Formats:

Authors

Tennessee Williams

Tennessee Williams (1911-1983) explored passion with daring honesty and forged a poetic theatre of raw psychological insight that shattered conventional proprieties and transformed the American stage. The autobiographical The Glass Menagerie brought what Mr. Williams called “ ...
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