Overview

The horrors of King Lear appalled Dr Johnson and exasperated A.C. Bradley, the most influential of all commentators on Shakespeare. Yet, like subsequent critics, they could not deny the play's greatness. For all his reservations Bradley conceded that it was the "fullest revelation of Shakespeare's power" - up there with Aeschylus's Prometheus Bound, Dante's Divine Comedy, Beethoven's symphonies and Michelangelo's Statues. With his customary eloquence and passion, the distinguished critic Valentine Cunningham shows what it is that Shakespeare is driving at in Lear and how this extraordinary tragedy about a foolish old king who goes mad leads directly to Samuel Beckett and the Theatre of the Absurd.