"Ms. Rebeck writes passionlessly about passion, colorlessly about art, self-importantly about the poor, tritely about the rich, humorlessly about the ludicrousness of art as commerce.
-The New York Times"Meaningful questions of morality, aesthetics and class conflict." -The Seattle Times
"Underneath her satirical surface, equal to the best of Richard Brinsley Sheridan in
The School for Scandal, Rebeck rekindles the troubling assertion that it was the support of the political, financial and artistic establishment that made possible the triumph of absract expressionist paintings and transferred the capital of the art world from Paris to New York." " -
New Haven Register